Poems, prose (alphabetical) back

  1. Pound, Ezra: ABC of Reading. New York: New Directions, 1960 [1934].* [Dpt] (ABC; How to study poetry; Warning; Laboratory Conditions; Ideogrammic Method; What is Literature?; What is the Use of Language?; Compass, Sextant, or Landmarks; Tests and Composition Exercises; Second Set; Further Tests; Basis; Liberty; Exercise; XIXth Century; Study; Perception; The Instructor; Tastes; Dissociate; Dichten = Condensare; Exhibits; Four Periods; Exercise; Style of a Period; A Table of Dates; Other Dates; To Recapitulate; Whitman; Treatise on metre.)
  2. ————: America, Roosevelt and the Causes of the Present War. Translation by John Drummond. [Money Pamphlets 6] London: Peter Russell, 1951 [1944]. [JFKI]*
  3. ————: An Introduction to the Economic Nature of the United States. Translated from the original Italian by Carmine Amore. Money Pamphlets by . number one. London: Peter Russell, 1950. [JFKI]*
  4. ————: Antheil and the Treatise on Harmony. New Introduction by Ned Rorem. New York: Da Capo Press, 1968 [1927]. [UOsnabrück]* (The Treatise on Harmony; Antheil; William Atheling; Varia.)
  5. ————: A Visiting Card. 1st English edition. Translation by John Drummond. [Money Pamphlets 4] London: Peter Russell, 1952. [JFKI]*
  6. ————: A Walking Tour in Southern France. Ezra Pound among the Troubadours. Edited and Introduced by Richard Sieburth. New Directions: New York, 1992.
  7. ————: Certain Radio Speeches of Ezra Pound. Edited by William Levy. Rotterdam: Cold Turkey Press, 1975. [ULeiden]* (Station Identification; Those Parentheses; Pattern; Question of Motive; Universality; To be Late; With Phantoms; As a Beginner; The Fallen Gent; On Continuity; Darkness; Public Memory; Materialism; A Few Friends; Access to Source; More Speeches: An Annotated Checklist; At Work and Dead: Photographs; Found Objects.)
  8. ————: Collected Early Poems of Ezra Pound. Edited by Michael John King, with an introduction by Louis L. Martz. New York: New Directions, 1976. [MTA 600.923]* (Introduction by Louis L. Martz; A Lume Spento (1908): Grace before Song; Note Precedent to "La Fraisne"; La Fraisne; Cino; In Epitaphium Eius; Na Audiart; Villonaud for This Yule; A Villonaud, Ballad of the Gibbet; Mesmerism; Fifine Answers; Anima Sola; In Tempore Senectutis; Famam Librosque Cano; The Cry of the Eyes; Scriptor Ignotus; Donzella Beata; Vana; Li Bel Chasteus; That Pass between the False Dawn and the True; In Morte De; Threnos; Comeraderie; Ballad Rosalind; Malrin; Masks; On His Own Face in a Glass; The Tree; Invern; Plotinus; Prometheus; Aegupton; Ballad fro Gloom; For E. McC.; Salve O Pontifex!; To the Dawn: Defiance; The Decadence; Redivivus; Fistulae; Song; Motif; La Regina Avrillouse; A Rouse; Nicotine; In Tempore Senectutis; Oltre la Torre: Rolando; A Quinzaine for This Yule (1908); Prelude: Over the Ognisanti; Night Litany; Purveyors General; Aube of the West Dawn, Venetian June; To La Contessa Bianzafior (Cent. XIV); Partenza di Venezia; Lucifer Caditurus; Sandalphon; Fortunatus; Beddoesque; Greek Epigram; Christophori Columbi Tumulus; Histrion; Nel Biancheggiar; To T.H. The Amphora; Personae (1909) Praise of Ysolt; Tally-O; At the Heart o' Me; Xenia; Occidit; An Idyl for Glaucus; In Durance; Guillaume de Lorris Belated: A Vision of Italy; In the Old Age of the Soul; Alba Belingalis; From Syria; From the Saddle; Marvoil; Revolt; And Thus in Niniveh; The White Stag; Piccadilly; Notes on New Poems: Vision of Italy; Alba Belingalis; Exultations (1909) Guido Invites You Thus; Sestina: Altaforte; Piere Vidal Old; Ballad of the Goodly Fere; Hymn III; Sestina for Ysolt; Portrait; "Fair Helena" by Rackham; Laudantes Decem Pulchritudinis Johannae Templi; Aux Belles de Londres; Francesca; Nils Lykke; A Song for the Virgin Mother; Planh for the Young English King; Alba Innominata; Planh; Canzoni (1911) Canzon: The Yearly Slain; Canzon: The Spear; Canzon; Cannzon: Of Incense; Canzone: Of Angels; To Our Lady of Vicarious Atonement; To Guido Cavalcanti; Sonnet in Tenzone; Sonnet: Chi o questa?; Ballata, Fragment; Canzon: The Vision; Octave; Sonnet; Ballatetta; Madrigale; Era Mea; Paracelsus in Excelsis; Prayer for His Lady's Life; Speech for Psyche in the Golden Book of Apuleius; "Blandula, Tenulla, Vagula"; Erat Hora; Epigrams; La Nuovoletta; Rosa Sempiterna; The Golden Sestina; Rome; Her Monument, The Image Cut Thereone; Victorian Eclogues; A Prologue; Maestro di Tocar; Aria; L'Art; Song in the Manner of Housmanm; Translations from Heine: Von die Heimkehr: I; II; III; IV; V; VI; VII; Und Drang: I; II; III; IV Elegia; V; VI; VIb; VII The House of Splendour; VIII The Flame; IX (Horae beatae Inscriptio); X (The Altar); XI (Au Salon); XII (Au Jardin); Ripostes (1912): Silet; In Exitum Cuiusdam; Apparuit; The Tomb at Akr Çaar; Portrait d'une Femme; N.Y.; A Girl; "Phasellus Ille"; An Object; Quies; The Seafarer; Echoes; An Immortality; Dieu! Qu'il La Fait; ; The Needle; Sub Mare; Plunge; A Virginal; Pan Is Dead; The Picture; Of Jacopo del Sellaio; The Return; Effects of Music upon a Company of People; Uncollected Miscellaneous Poems (1902-1912): Ezra on the Strike; A Dawn Song; To the Raphaelite Latinists; In Epitaphium; Thersites: On the Surviving Zeus; The Fault of It; For a Beery Voice; L'Invitation; Epilogue; Poems withdrawn from Canzoni: Leviora; To Hulme (T.E.) and Fitzgerald (A certain); Redondillas, or Something of that Sort; The Alchemist (Two versions): The Alchemist. Chant for the Transmutation of Metals; The Alchemist; Poems from the San Trovaso Notebook: San Vio, June; Roundel for Arms; Roundel; Sonnet for the August Calm; To Ysolt, for Pardon; For Ysolt, the Triad of Dawn; Piazza San Marco; Lotus-Bloom; For a Play; The Rune; Narcotic Alcohol; Blazed; For the Triumph of the Arts; Alma Sol veneziae; Fragment to W.C.W.'s Romance; [Fragmenti]; [In that Country]; Autumns; Fratello Mio, Zephyrus; For E. McC.; Ballad of Wine Skins; I Wait; [Shalott]; Battle Dawn; For Italico Brass; Envoi; [Additional Poems in the San Trovaso Notebook]; Statement of Being; Das Babenzorn; ; Poems from Miscellaneous Manuscripts: Swinburne: A Critique; To E.B.B.; The Summons; Ballad of the Sun's Hunting; Quia Amore Langueo; Capilupus Sends Greetings to Grotius; The Hills Whence; From Chebar; "Chommoda"; "It is a Shame"—With Apologies to the Modern Celtic School; The Logical Conclusion; Appendix: Uncollected Miscellaneous Poems (1913-1917): Pax Saturni; Xenia I, II; The Choice; Xenia IV, V; Legend of the Chippewa Spring and Minnehaha, the Indian Maiden; Homage to Wilfrid Scawen Blunt; Pastoral; Gnomic Verses; Our Respectful Homages to M. Laurent Tailhade; Et Faim Sallir les Loups des Boys; Love-Song to Eunoe; Another Man's Wife; Poem: Abbreviated from the Conversation of Mr. T.E.H.; Reflection; To a City Sending Him Advertisements; Notes; Index of Titles; Index of First Lines.)
  9. ————: Collected Shorter Poems. London: Faber and Faber, 1968.* (PERSONAE (1908, 1909, 1910): The Tree; Threnos; La Fraisne; Cino; Na Audiart; Villonaud for this Yule; A Villonaud: Nallad of the Gibbet; Mesmerism; Famam Librosque Cano; Praise of Ysolt; De Aegypto; For E. McC.; In Durance; Marvoil; And Thus in Niniveh; The White Stag; Guido Invites You Thus; Might Litany; Sestina: Altaforte; Peire Vidal Old; Paracelsus in Excelsis; Ballad of the Godly Fere; On His Own Face In a Glass; The Eyes; Francesca; Planh for the Young English King; Ballatetta; Prayer for His Lady's Life; Speech for Psyche in the Golden Book of Apuleius; Blandula, Tennula, Vagula'; Erat Hora; Rome; Her Monument, the Image Cut Thereon; Satiemus; Mr. Housman's Message; Translations and Adaptations from Heine; The House of Spolendour; The Flame; Horae Beatae Inscriptio; The Altar; Au Salon; Au Jardin; RIPOSTES (1912): Silet; In Exitum Cuiusdam; The Tomb at Akr Çaar; Portrait d'une Femme; N.Y.; A Girl; Phasellus Ille'; An Object; Quies; The Seafarer; The Cloak; ; Apparuit; The Needle; Sub Mare; The Plunge; A Virginal; Pan Is Dead; Dieu! Qu'il la fait; The Picture; Of Jacopo del Sellaio; The Return; The Alchemist; An Immorality; LUSTRA: Tenzone; The Condolence; The Garret; The Garden; Ortus; Salutation; Salutation the Second; The Spring; Albatre; Causa; Commission; A Pact; Surgit Fama; Dance Figure; April; Gentildonna; The Rest; Les Millwin; Further Instructions; A Song of the Degrees; It‚; Dum Capitolium Scandet; ; The Study in Aesthetics; The Bellaires; The New Cake of Soap; Salvationists; Epitaph; Arides; The Bath Tub; The Temperaments; Amities; Meditatio; To Dives; Ladies; Phyllidula; The Patterns; Coda; The Seeing Eye; Ancora; Dompna Pois de me no'us Cal'; The Coming of War: Actaeon; After Ch'u Yuan; Li Ch'e; Fan-Piece, for Her Imperial Lord; Ts'ai Chi'h; In a Station of the Metro; Alba; Heather; The Faun; Coitus; The Encounter; Tempora; Black Slippers: Bellotti; Society; Image from D'Orleans; Papyrus; Ione, Dead the Long Year'; ; Shop Girl; To Formianus' Young Lady Friend; Tame Cat; L'Art, 1910; Simulacra; Women before a Shop; Epilogue; The Social Order; The Tea Shop; Ancient Music; The Lake Isle; Epitaphs; Ancient Wisdom, Rather Cosmic; The Three Poets; The Game of Chess; Provincia Deserta; CATHAY: Song of the Bowmen of Shu; The beautiful Toilet; The River Song; The River-Merchant's Wife: a Letter; Poem by the Bridge at Ten-Shin; The Jewel Stairs' Grievance; Lament of the Frontier Guard; Exile's Letter; Separation on the River Kiang; Taking Leave of a Friend; Leave-Taking Near Shoku; The City of Choan; South-Folk in Cold Country; Sennin Poem by Kakuhaku; A Ballad of the Mulberry Road; Old Idea of Choan by Rosorin; To-Em-Mei's The Unmoving Cloud'; POEMS FROM THE CLASSIC ANTHOLOGY DEFINED BY CONFUCIUS (1954): from Shao and the South: In fleecy coats with five white tassels'; Lies a dead deer on yonder plain'; from Songs of Wang: Straggling millet, grain is shoot'; What a man! with a bamboo flute calls me out'; Ole Brer Rabbit watchin' his feet'; from Songs of Cheng: Hep-Cat Chung, 'ware my town'; be kind, good sir, and I'll lift my sark'; from North Mount: Let the Great Cart alone'; from Songs of Ts'in: Ever unstill, cross, cross'; from Decade of T'ang: I took the paw ere thou knew'st fair from base'; from The Odes of Shang: Thick, all in mass/bring drums, bring drums'; POEMS FROM BLAST (1914): Salutation the Third; Monumentum Aere, Etc.'; Come My Cantilations; Before Sleep; Post Mortem Conspectu; Fratres Minores; POEMS FROM LUSTRA (1915): Near Perigorf; Villanelle: the Psychological Hour; Dans un Omnibus de Londres; Pagani's, November 8; To a Friend Writing on Cabaret Dancers; Homage to Quintus Septimius Florentis Christianus; Fish and the Shadow; Impressions of Fran‡ois-Marie Arouet (de Voltaire); Phanopoeia; Langue d'Oc; Moeurs Contemporaines; Cantico del Sole; Hugh Selwyn Mauberley; E.P. Ode Pour L'Election de Son Sepulchre; Yeux Glauques; Siena mi fe': Disfecemi Maremma'; Brennbaum; Mr. Nixon; Envoi (1919); Mauberley; The Age Demanded'; Medallion; Homage to Sextus Propertius (1917); Cantus Planus; APPENDIX I: EARLY POEMS, NOT PREVIOUSLY COLLECTED, AND NOW ADDED TO THIS COLLECTION INCLUDING THE POEMS OF T.E. HULME: To Whistler, American; Middle-Aged; The Rapture; Reflection and Advice; Abu Salammamm—A Song of Empire; L'Homme Moyen Sensuel; Our respectful homages to M. Laurent Tailhade; Pierrots; Donna Mi Prega; Epilogue, to my five books containing medieval studies, experiments and translations; THE COMPLETE POETICAL WORKS OF T.E. HULME: Prefatory Note; Autumn, Mana Aboda; Above the Dock; The Embankment; Conversion; APPENDIX II: VERSE OF THE THIRTIES, FIRST PRINTED IN THE NEW ENGLISH WEEKLY, AND ADDED TO THIS COLLECTION IN 1949. (PROSE BY A.R. ORAGE): Poems of Alfred Venison.)
  10. ————: Early Poems. New York: Dover Publications, Inc., 1996.* (From Personae, 1909: Grace before Song; Cino; Na Audiart; Villonaud for This Yule; A Villonaud, Ballad of the Gibbet; Scriptor Ignotus; Comraderie; Masks; Xenia; Alba Belingalis; From Syria; From the Saddle; And Thus in Niniveh; From Exultations, 1909: Guido Invites You Thus; Sestina: Altaforte; Piere Vidal Old; Ballad of the Goodly Fere; Hymn III; Portrait; "Fair Helena" by Rackham; Francesca; Christophori Columbi Tumulus; Plotinus; On His Own Face in the Glass; Histrion; Defiance; A Song of the Virgin Mother; Planh for the Young English King; Alba Innominata; From Ripostes, 1913: Silet; Apparuit; The Tomb at Akr €aar; Portrait d'une Femme; The Seafarer; Echoes; An Immortality; Dieu! Qu'il La Fait; Doria; The Needle; The Picture; Of Jacopo del Sellaio; From Cathay, 1915: Song of the Bowmen of Shu; The Beautiful Toilet; The River Song; The River-Merchant's Wife: a Letter; The Jewel Stairs' Grievance; Poem by the Bridge at Ten-Shin; Lament of the Frontier Guard; Exile's Letter; Four Poems of Departure: Separation on the River Kiang; Taking Leave of a Friend; Leave-Taking Near Shoku; The City of Choan; South-Folk in Cold Country; Fragment; Couplet; From Hugh Selwyn Mauberley, 1920: Hugh Selwyn Mauberley: Life and Contacts [first nine sections].)
  11. ————: Ezra Pound and Music. The Complete Criticism. Edited with commentary by R. Murray Schafer. New York: New Directions, 1977. [BLLD]* (Introduction; England: The Early Reviews 1908-1917; England: The new Age Music Critic, "William Atheling," 1917-1921; France and Italy 1921-1927; The Rapallo Years 1928-1941; Postscript 1942-1972; Appendixes: The Developing Theories of Absolute Rhythm and Great Bass; Glossary of Important Musical Personalities; "Why a Poet Quit the Muses," by George Antheil.)
  12. ————: Ezra Pound and the Visual Arts. Edited with an Introduction by Harriet Zinnes. New York: New Directions, 1980. [BLLD]* (Selections from The New Age; Vorticist Publications; Selections from Miscellaneous Publications; Selections from the John Quinn Correspondence; Selections from Published Books; Selections from Uncollected Manuscripts and Papers.)
  13. ————: "Ezra Pound Speaking". Radio Speeches of World War II. Edited by Leonard W. Doob. Westport,CT, London: Greenwood Press, 1978. [MTAÿ845.072]* (110 FCC-recorded Scripts: Last Ditch of Democracy; Books and Music; The Golden Wedding; This War on Youth On a Generation; Those Parentheses; On Resuming; 30 Years or a Hundred; The Stage in America; Canto 46; Sale and Manufacture of War; Power; America Was Intentions; Napoleon, Etc.; Why Pick on the Jew?; Gold: England; England; And the Time Lag; But How?; But How? Second Item; McArthur; The Pattern; Destruction; Indecision; Comic Relief; Question of Motive; Clarification; The Social Creditors; Aberration; MacLeish; Blast; Opportunity Recognized; Non-Jew; Universality; The Duration; The Precarious; A French Accent; To Be Late (Essere in ritardo); Free Speech in Albion (Alias England); With Phantoms; E.E. Cummings Examined; Brain Trust; As a Beginning; Brain Trust: Second Spasm; As to Pathology and Psychoses; The Keys of Heaven; The British Imperium; Violence; The Fallen Gentleman (Il signor decaduto); That Interval of Time; The Giftie; Disbursement of Wisdom; Continuity; How Come; Freedumb Forum; Darkness; Perfect Phrasing; July 16th, an Anniversary; Superstition; Axis Propaganda; More Homely; That Illusion; Seviti; Complexity; Toward Veracity; Pots to Fracture; Anglophilia; To Explain; More Names; Pogrom; To Recapitulate; Financial Defeat: U.S.; Usurocracy; Lyric Tenors; Fetish; Valentine; J.G. Blaine; Canute; Zion; Conscience; On Retiring; On the Nature of Treachery; Romance; Philosemite; Lord Bleeder; Sumner Welles; Economic Aggresion; Administration; Economic Opression; In the Woodshed; Soberly; [Title Unknown]; And Back of the Woodshed; Surprise; Big Jew; Debt; [Therapy]; To the Memory; [Obsequies]; War Aims; [On Brains or medulla]; Stalin; Materialism; Communist Millionaires; Coloring; [Title Unknown]; Credit: Legality; Audacia/Audacity; Objection (Protesta); Civilization; Lost or Stolen (Perduto or rubato); 10 Miscellaneous Scripts: Homesteads; March Arrivals; America Was Promises; Aristotle or Adams; To Consolidate; To Albion; Two Pictures; Quisling; Philology; Church Peril; Appendix 1. The Content Analysis: Methodology; Appendix 2. Quantitative Analysis; Appendix 3. Pounds's Critics; Appendix 4. Style and Techniques; Bibliography.)
  14. ————: Ezra Pound's Poetry and Prose. Contributions to Periodicals in Ten Volumes. Volume I. 1902-1914, C0-C167. Prefaced and Arranged by Lea Baechler, A. Walton Litz, and James Longenbach. New York, London: Garland Publishing, Inc., 1991. [UBMünster]*
  15. ————: Ezra Pound's Poetry and Prose. Contributions to Periodicals in Ten Volumes. Volume II. 1915-1917, C168-C315. Prefaced and Arranged by Lea Baechler, A. Walton Litz, and James Longenbach. New York, London: Garland Publishing, Inc., 1991. [UBMünster]*
  16. ————: Ezra Pound's Poetry and Prose. Contributions to Periodicals in Ten Volumes. Volume III. 1918-1927, C316-C521. Prefaced and Arranged by Lea Baechler, A. Walton Litz, and James Longenbach. New York, London: Garland Publishing, Inc., 1991. [München]*
  17. ————: Ezra Pound's Poetry and Prose. Contributions to Periodicals in Ten Volumes. Volume IV. 1920-1927, C522-C699a. Prefaced and Arranged by Lea Baechler, A. Walton Litz, and James Longenbach. New York, London: Garland Publishing, Inc., 1991. [München]*
  18. ————: Ezra Pound's Poetry and Prose. Contributions to Periodicals in Ten Volumes. Volume V. 1928-1932, C700-C904. Prefaced and Arranged by Lea Baechler, A. Walton Litz, and James Longenbach. New York, London: Garland Publishing, Inc., 1991. [UBHeidelberg]*
  19. ————: Ezra Pound's Poetry and Prose. Contributions to Periodicals in Ten Volumes. Volume VI. 1933-1935, C905-C1279. Prefaced and Arranged by Lea Baechler, A. Walton Litz, and James Longenbach. New York, London: Garland Publishing, Inc., 1991. [UBHeidelberg]*
  20. ————: Ezra Pound's Poetry and Prose. Contributions to Periodicals in Ten Volumes. Volume VII. 1936-1939, C1280-C1527. Prefaced and Arranged by Lea Baechler, A. Walton Litz, and James Longenbach. New York, London: Garland Publishing, Inc., 1991. [München]*
  21. ————: Ezra Pound's Poetry and Prose. Contributions to Periodicals in Ten Volumes. Volume VIII. 1940-1954, C1528-C1741. Prefaced and Arranged by Lea Baechler, A. Walton Litz, and James Longenbach. New York, London: Garland Publishing, Inc., 1991. [München]*
  22. ————: Ezra Pound's Poetry and Prose. Contributions to Periodicals in Ten Volumes. Volume IX. 1955-1971, C1742-C1933a. Prefaced and Arranged by Lea Baechler, A. Walton Litz, and James Longenbach. New York, London: Garland Publishing, Inc., 1991. [UBHeidelberg]*
  23. ————: Ezra Pound's Poetry and Prose. Contributions to Periodicals in Ten Volumes. Volume X. 1972-1982, C1934-C1989. Prefaced and Arranged by Lea Baechler, A. Walton Litz, and James Longenbach. New York, London: Garland Publishing, Inc., 1991. [UBHeidelberg]*
  24. ————: Ezra Pound's Poetry and Prose. Contributions to Periodicals in Ten Volumes. Volume XI. Addenda and Index. Prefaced and Arranged by Lea Baechler, A. Walton Litz, and James Longenbach. New York, London: Garland Publishing, Inc., 1991. [UAlabamaL]*
  25. ————: From Syria. The Worksheets, Proofs, and Text. Edited with an Introduction by Robin Skelton. Port Townsend, WA: Copper Canyon Press, 1981. [JFKI]*
  26. ————: Gaudier-Brzeska. A Memoir. New York: New Directions, 1970.*; Hessle: The Marvell Press, 1960 [1916]. [BLLD]* (I Gaudier-Brzeska; Vortex; II; Vortex Gaudier-Brzeska; Allied Artists' Association, Ltd.; An Open Letter; III The Man; VI[sic!]; V; VI; VII Letters to Me; VIII Letters to Mrs Shakespear; IX Letters to Edwarrd Wadsworth; X Friendship with Brodzky; XI; Vorticism; XII; Affirmations: Gaudier-Brzeska; Affirmations: Analysis of this Decade; XIII; XIV; XV; XVI; XVII Partial Catalogue of the Sculpture; XVIII The Drawings; XIX; Addenda; Preface to the Memorial Exhibition, 1918; Gaudier: A Postscript, 1934; Peregrinations, 1960.)
  27. ————: Gold and Labour. 1st English Edition. Translation by John Drummond. [Money Pamphlets 2] London: Peter Russell, 1951. [JFKI]*
  28. ————: Guide to Kulchur. New York: New Directions, 1970.* (Preface; Digest of the Analects that is, of the Philosophic Conversations; The New Learning: Part One; Spart 776 B.C.; Totalitarian; Zweck or the Aim; Vortex; Great Bass: Part One; Ici je teste; Tradition; Guide; Italy; Aeschylus and...; Monumental; The History of Philosophy is...?; Values; Europe or the Setting; Sophists; Kulchur: Part One; Kulchur: Part Two; March 12th; Textbooks; Savoir faire; The New Learning: Part Two; Examples of Civilization; Books "about"; On Answering Critics; Maxims of Prudence; Human Wishes; Guide to Kulchur; The Proof of the Pudding; Canto; The Novel and so forth; Precedents; On Arriving and Not Arriving; Praise Song of the Buck-Hare; Time-Lag; The Culture of an Age is what you can pick up and/or get in touch with, by talk with the most intelligent men of the period?; Education or Information?; Neo-Platonicks Etc.; Losses; Odes: Risks; Great Bass: Part Two; Tone; Government; The Recurring Decimal; Decline of the Adamses; Royalty and All That; Arabia Deserta; Kung; Chaucer Was Framed?: Happy Days; The Promised Land; Study of Physiognomy; And Therefore Tending; Pergamena Deest; Warch the Beaneries; Epilogue to balance the Frontispiece; To Recapitulate; Addenda: 1952.)
  29. ————: I Cantos. A cura di Mary de Rachewiltz. Milano: Arnoldo Mondadori, 1985.* [See also @ Other languages]
  30. ————: "If This Be Treason......" Venice: Tipo-Litografia Armena, 1983 [1948].*; Siena: Olga Rudge, 1948. [SienaB]* (e.e. cummings/examind; James Joyce: to his memory; A french accent; "Canto 45"; Blast.)
  31. ————: Imaginary Letters. Paris: The Black Sun Press, 1930. [MTA 189.961]*
  32. ————: Impact. Essays on Ignorance and the Decline of American Civilization. Edited with an introduction by Noel Stock. Chicago: Henry Regnery Company, 1960. [MTAÿ254.620]* (National Culture: A Manifesto; Destruction by Taxation; An Introduction to the Economic Nature of the United States; Bureaucracy the Flail of Jehovah; A Visiting Card; Possibilities of Civilization: What the Small Town Can Do; Murder by Capital; Integrity of the Word; The Enemy Is Ignorance; Mang Tsze: The Ethics of Mencius; An Impact; In the Wounds: Memoriam A.R. Orage; The Jefferson-Adams Letters as a Shrine and a Monument; America and the Second World War; Immediate Need of Confucius; Shorter Pieces and Extracts from Uncollected Essays; Letters to America.)
  33. ————: Jefferson and/or Mussolini. L'Idea Statale. Fascism As I Have Seen It. London: Stanley Nott, 1935. [BLLD]* (September Preface; I Jefferson and/or Mussolini; II Jefferson; III Direction Voluntatis; IV; V; VI Intelligentsias; VII; VIII; IX; X The "New" Economics; XI; XII Government by Theory or by Intelligence; XIII Culture; XIV Why Italy?; XV; XVI; XVII As to the Particular Situation and the Violation of Liberties, Traditional Liberties, "Rights," etc.; XVIII; XIX; XX Jefferson in His Generation; XXI; XXII C'est toujours le beau monde qui gouverne; XXIII Resistance; XXIV; XXV; XXVI Power; XXVII Paideuma; XXVIII "Of Being Ruled"; XXIX Kung; XXX; XXXI The Soil; XXXII Party; In Conclusion.)
  34. ————: Literary Essays of Ezra Pound. Edited with an Introduction by T.S. Eliot. London: Faber and Faber, 1968 [1954].* [Dpt; JATE A84244]; New York: New Direction, 1968 [1954]. [Dpt]; Westport,CT: Greenwood Press, 1979 [1954]. [Dpt] (A Retrospect; How to read; The Serious Artist; The Teacher's Mission; The Constant Preaching to the Mob; Mr Housman at Little Bethel; Date Line; The Tradition; Troubadours their Sorts and Conditions; Arnaud Daniel; Cavalcanti; Hell; The Renaissance; Notes on Elizabethan Classicists; Translators of Greek: Early Translators of Homer; The Rev. G. Crabbe, LL.B.; Irony, Laforgue, and Some Satire; The Hard and Soft in French Poetry; Swinburne versus his Biographers; Henry James; Remy de Gourmont; Lionel Johnson; The Prose Tradition in Verse; The Later Years; Robert Frost (Two Reviews); D.H. Lawrence; Dr Williams' Position; Dubliners and Mr James Joyce; Ulysses; T.S. Eliot; Wyndham Lewis; Arnold Dolmetsch; Vers Libre and Arnold Dolmetsch; Brancusi.)
  35. ————: Machine Art & Other Writings. The Lost Thought of the Italian Years. Essays selected and edited, and with an introduction by Maria Luisa Ardizzone. Durham & London, Duke University Press, 1996.* (Machine Art: Machine Art (1927-1930); How to Write: How to Write (1930); Addenda (c.1928-1937); A problem of (Specifically) Style (1934); Ogden and Debabelization (1935); European Paideuma: European Paideuma (1940); Convenit esse deos (c. 1940-1942); [Catholicism] (c. 1940); The Organum According to Tsze sze (1942); Appendix: Two Letters from Pound to the Frobenius Institute; To Dougls C. Fox (1935 and 1937); Letter from Pound to george Santayana (1941); and Santayana's Response; Pragmatic Aesthetics: Pragmatic Aesthetics of E.P. (c. 1940-1943); A Note on the texts; A Note on the Illustrations.)
  36. ————: Personae. Collected Shorter Poems of Ezra Pound. London: Faber and Faber, s.d. [Dpt]
  37. ————: Patria Mia. Chicago: Ralph Fletcher Seymour, 1950. [JFKI]* (Publisher's Preface; Patria Mia Part 1; II; Patria Mia Part II; II; Credo; III; IV.)
  38. ————: Pavannes and Divagations. New York: New Directions, 1958.* (Indiscretions, or Une Revue de Deux Mondes; "Hermione"; Imaginary Letters; Pavannes; Twelve Dialogues of Fontanelle; Chronicles from Blast; Madox Ford at Rapallo; A Matter of Modesty; Genesis, or, The First Book in the Bible; Our Tetrarchal Pr‚cieuse; Postscript to The Natural Philosophy of Love by R‚my de Gourmont; Musicians: God Help 'Em; Frivolities; Aphorisms; Appendix Poems by 5 Friends.)
  39. ————: Selected Cantos of Ezra Pound. London: Faber and Faber, 1974. [Dpt]
  40. ————: Selected Poems of Ezra Pound. New York: New Directions, 1957.* [London: Faber and Faber, 1977 [1957]. Dpt; Dpt; JATE A60687] (Biography; Cino; Na Audiart; Villonaud for this Yule; The Tree; The White Stag; Sestina: Altaforte; Ballad of the Goodly Fere; Planh for the Young English King; "Blandula, Tennula, Vagula"; Erat Hora; The House of Splendour; The Tomb at Akr €aar; Portrait d'une Femme; A Object; The Seafarer; Δώρια; Apparuit; A Virginal; Of Jacopo del Sellaio; The Return; Tenzone; The Garret; The Garden; Salutation; The Spring; A Pact; Dance Figure; April; The Rest; Les Millwin; A Song of the Degrees; It‚; Salvationists; Arides; Amities; Meditatio; Coda; The Coming of War: Actaeon; In a Station of the Metro; Alba; Coitus; The Encounter; ; Tame Cat; The Tea Shop; Ancient Music; The Laki Isle; Epitaphs; Villanelle: The Psychological Hour; Pagani's November 8; Alba "Langue d'Oc"; Near Perigord; Song of the Bowmen of Shu; The Beautiful Toilet; The River Song; The River-Merchant's Wife: A Letter; Poem by the Bridge at Ten-Shin; The Jewel Stairs' Grievance; Lament of the Frontier Guard; Exile's Letter; Taking Leave of a Friend; A Ballad of the Mulberry Road; Hugh Selwyn Mauberley; E.P. Ode Pour L'Election de Son Sepulchre; Yeux Glauques; Siena mi fe': Disfecemi Maremma'; Brennbaum; Mr. Nixon; Envoi (1919); Mauberley; The Age Demanded'; Medallion; Homage to Sextus Propertius; Cantos 1; 2; 3; from 4; 9; 13; from 14; 17; from 20; from 25; from 30; from 36; 38; 45; 47; 49; 51; from 53; from 62; from 74; from 76; from 79; from 80; from 81; from 83; from 91; from 93; from Women of Trachis.)
  41. ————: Selected Prose 1909-1965. London: Faber and Faber, 1978 [1973].* [also: JATEÿA108031]* (Introduction; I Gather the Limbs of Osiris; Religio: Religio or the child's guide to knowledge; Axiomata; Credo; Terra Italica; Ecclesiastical history; On the degrees of honesty in various occidental religions; religio; Statues of gods; Deus est amor; Quotations from Richard of St. Victor; The Treatise on Harmony; Confucius and Mencius; Immediate need of Confucius; Mang Tsze; America: What I feel about Walt Whitman'; The Jefferson-Adams letters as a shrine and a monument; Introductory textbook; National culture a manifesto 1938; An introduction to the economic nature of the United States; Civilisation, Money and History: Provincialism the enemy; Kubla Khan and his currency; Probati ratio'; Economist democracy; Definitions; The state; Prolegomena; Bureaucracy the Flail of Jehovah; Peace; The City; Murder by capital; ABC of economics; John Buchan's Cromwell' a note; History and ignorance; Banks; The individual in his milieu; Values; For a new paideuma; What is money for?; Freedom de facto; A visiting card; Gold and work 1944; Sovereignty; Del Mar; Feasible justice; Gists; The Art of Poetry: The wisdom of poetry; The approach to Paris; Affirmations as for Imagisme; Beddoes and chronology; Landor; Prefatio ayt Cimicium Tumulus; Contemporaries: The divine mystery; Allen Upward serious; Remy de Gourmont; Marianne Moore and Mina Loy; Wyndham Lewis at the Goupil; Hudson: Poet strayed into science; Jean Cocteau sociologist; Obituary: A.R. Orage; In the wounds (memoriam A.R. Orage); D'Artagnen twenty tears after; Ford Madox (Hueffer) Ford: obit; For T.S.E.)
  42. ————: Social Credit: An Impact. Money Pamphlets by number five. London: Peter Russell, 1951 [1935]. [JFKI]*
  43. ————: The Cantos of Ezra Pound. London: Faber and Faber, 1960. [Dpt]
  44. ————: The Cantos of Ezra Pound. New York: New Directions, 1973.*; London: Faber and Faber, 1975. [JATE B94410] (A Draft of XXX Cantos (1930): 1; 2; 3; 4; 5; 6; 7; 8; 9; 10; 11; 12; 13; 14; 15; 16; 17; 18; 19; 20; 21; 22; 23; 24; 25; 26; 27; 28; 29; 30; Eleven New Cantos XXXI-XLI (1934): 31; 32; 33; 34; 35; 36; 37; 38; 39; 40; 41; The Fifth Decad of Cantos XLII-LI (1937): 42; 43; 44; 45; 46; 47; 48; 49; 50; 51; Cantos LII-LXXI (1940): 52; 53; 54; 55; 56; 57; 58; 59; 60; 61; 62; 63; 64; 65; 66; 67; 68; 69; 70; 71; The Pisan Cantos LXXIV-LXXXIV (1948): 74; 75; 76; 77; 78; 79; 80; 81; 82; 83; 84; Section: Rock-Drill de los cantares LXXXV-XCV (1955): 85; 86; 87; 88; 89; 90; 91; 92; 93; 94; 95; Thrones de los cantares XCVI-CIX (1959): 96; 97; 98; 99; 100; 101; 102; 103; 104; 105; 106; 107; 108; 109; Drafts and Fragments of cantos CX-CXVII (1969): 110; Notes for 111; From 112; 113; 114; From 115; 116; FRAGMENTS OF CANTOS: Addendum for 100; Notes for 117 et seq.; 120.)
  45. ————: The Cantos of Ezra Pound. New York: New Directions, 1989.* (A Draft of XXX Cantos (1930): 1; 2; 3; 4; 5; 6; 7; 8; 9; 10; 11; 12; 13; 14; 15; 16; 17; 18; 19; 20; 21; 22; 23; 24; 25; 26; 27; 28; 29; 30; Eleven New Cantos XXXI-XLI (1934): 31; 32; 33; 34; 35; 36; 37; 38; 39; 40; 41; The Fifth Decad of Cantos XLII-LI (1937): 42; 43; 44; 45; 46; 47; 48; 49; 50; 51; Cantos LII-LXXI (1940): 52; 53; 54; 55; 56; 57; 58; 59; 60; 61; 62; 63; 64; 65; 66; 67; 68; 69; 70; 71; Cantos 72-73 (1944); The Pisan Cantos LXXIV-LXXXIV (1948): 74; 75; 76; 77; 78; 79; 80; 81; 82; 83; 84; Section: Rock-Drill de los cantares LXXXV-XCV (1955): 85; 86; 87; 88; 89; 90; 91; 92; 93; 94; 95; Thrones de los cantares XCVI-CIX (1959): 96; 97; 98; 99; 100; 101; 102; 103; 104; 105; 106; 107; 108; 109; Drafts and Fragments of cantos CX-CXVII (1969): 110; Notes for 111; From 112; 113; 114; From 115; 116; FRAGMENTS OF CANTOS: Addendum for 100; Notes for 117 et seq.; FRAGMENT (1966).)
  46. ————: The Pisan Cantos. London, Boston: Faber and Faber, 1978. [JATE A97343]
  47. ————: The Sayings of Ezra Pound. Edited by G. Singh. London: Duckworth, 1994.* (Introduction; Poetry & Literature; Literary Criticism; Critical Judgements; Language; Arts & Artists; Music; Culture & Civilisation; Politics & Economics; Ideas; Science & Education; Religion; Personal & Autobiographical.)
  48. ————: The Spirit of Romance. New York: New Directions, 1968.* (Praefatio ad Lectorem Electum (1910); Postscript (1929); Post-Postscript; The Phantom Dawn; Il Migglior Fabbro; Proen‡a; Geste and Romance; Psychology and the Troubadours; Lingua Toscana; Dante; Montcorbier, alias Villon; The Quality of Lope de Vega; Camoens; Poeti Latini.)
  49. ————: Thrones 96-109 de los cantares. London: Faber and Faber, 1960. [Dpt]
  50. ————: What Is Money For? (2nd edition) and Introductory Text Book (2nd edition). [Money Pamphlets 3] London: Peter Russell, 1951 [1939, 1938]. [JFKI]*