British and American Spy Fiction
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Relevant link: http://www.c3.hu/scripta/beszelo/99/03/16elber.htm |
The course is a series of lectures introducing the student to the origins and development of espionage fiction. We shall trace elements of the genre in some ancient writings, including the Bible and Homer, and then have a look at its modern beginnings around World War I, and flourishing in the Cold War period. Apart from historical investigations, we shall try to feel some of the possibilities before spy fiction now that those decades of international confrontation seem to be history. The texts considered will include passages from the Bible, the Iliad (in Hungarian), Herodotus, Aeneid, Anonymus; Conan Doyle [1] [2] [3]the authors to be discussed Emmuska Orczy, John Buchan, W.S. Maugham, Graham Greene, Ian Fleming [Bond], Frederick Forsyth, Len Deighton, and John le Carré [link1] [interview] [Smiley] [Smiley2]. The course will be closed with an oral examination (for 4th- and 5th-year participants, after submitting a short [7.500 characters] written discussion of an espionage narrative)Required readings will include the following novels (some items borrowable from NovákGy):
It will be possible, indeed, advisable, to view spy-films in connection with the material discussed on Monday evenings from 6 p.m. (in the American Seminar). (Shows may start earlier, at 5:45, if convenient for the participants.) The film titles will include: Feb 12 — The Spy Who Came in from the Cold (D: Martin RITT, 1965) Apr 2 — Dr. No (D: Terence YOUNG, starring Sean CONNERY, 1962) Apr 23 — Moonraker (D: Lewis GILBERT, starring Roger MOORE, 1979), Apr 30 — The Living Daylights, (D: John GLEN, starring Timothy DALTON, 1987), May 7 — Goldeneye, (D: Martin CAMPBELL, starring Pierce BROSNAN, 1995) |
Secondary literature will include:
(available from Novák Gy)
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